‘Origin’ review: From the unfilmable bestseller ‘Caste,’ Ava DuVernay finds the only possible movie
“Caste” came out in 2020 — a provocative and elegantly intertwined examination of America’s racial history and structural biases.
All Stories
On Netflix: Four short Roald Dahl tales adapted by Wes Anderson add up, splendidly
The new Wes Anderson adaptations of Roald Dahl stories, now streaming on Netflix, outpace and out-satisfy so many of Anderson’s feature-length projects, the question simply is this: Why?
‘August Wilson: A Life’: A theater giant’s symphony of 20th century Black lives, captured by biographer Patti Hartigan
In her absorbing, richly detailed biography recently published by Simon & Schuster, Patti Hartigan calls “Joe Turner” Wilson’s greatest achievement. She has plenty of company in that opinion.
‘Bottoms’ review: In a queer ‘Fight Club’ with a side of ‘Heathers,’ the jokes and punches fly
Director Emma Seligman set out to create a “campy queer high school comedy in the vein of ‘Wet Hot American Summer’ but more for a Gen-Z queer audience,” as she...
Column: The ‘Flash’ that didn’t: How many franchise ‘sure things’ will it take for the movie industry to rethink its future?
How much longer can this recycling continue?